At 30,000 sq ft, this colossal bungalow with spatial planning and artsy inclusions, is Rajiv Saini’s piece de resistance

OCT 18, 2019 | By Mrudul Pathak Kundu, Anamika Butalia and Pinky Akola
The drawing room, with the Gigi Scaria painting, opens to the gardens on two sides and a deck on the third. Leather armchairs by Gio Franco Frattini sit near a pair of white linen sofas and custom made coffee tables; Photographs by Fabien Charuau
The property’s main gate is approached via this covered walkway; Photographs by Fabien Charuau
Books, Buddhadev Mukherjee paintings and greens animate a guest bedroom with cushions from Nicobar and a Shades of India bedspread; Photographs by Fabien Charuau

It’s rare for an architect to still remain involved in a project almost two years after the homeowners moved into the residence. But not Rajiv Saini. That he’s ensured a shipment of numerous artworks arrived in time for his visit, reminds me of the dialogue from the movie 2001: A Space Odyssey, “I’ve still got the greatest enthusiasm and confidence in the mission”. And these words ring true during our time at the Kedias home in Indore.

As we walk through the enormous residence set on a 2.75 acre plot, Saini’s zest is palpable. He begins by talking about how the abode is built on less than half of the acreage, since that portion was procured after construction had begun. So, Saini decided to have it developed as a sprawling lawn with soft landscaping and a walking track. What he’s most excited about is the spatial planning. “It resulted in broad passageways, expansive suites and more than enough room to add art and design details,” says Saini.

From the outside, the home appears inconspicuous but as the main doors open, they reveal a brass panelled, double heighted foyer. It serves as the main artery connecting every wing of the structure. The passageway on the left leads to formal living, dining and meeting spaces, while the corridor to the right leads to a lounge and bar. Beyond it, lies a cosy suite for the daughter that’s ideal for a teenager coming of age.

Straight ahead from the entrance, lies a family room, two concealed kitchens and the master suite that exudes warmth and tranquility in equal measure. Both the master and daughter’s suites open up to the swimming pool that’s set in a courtyard of sorts. Housed on the upper level are the son’s suite, a full edged gym done up using copper, game room, home theatre and two guest suites.

Artworks abound with over a hundred pieces from artists such as FN Souza, Asim Waqif, Ritesh Meshram, Seher Shah, Gigi Scaria, Jyothi Basu, George Martin, Madhavi Subramanim, among others, and antiquities from around the country. Saini elaborates, “A series by Biplab Sarkar is in the home office, Gigi Scaria’s painting and Waqif’s sculpture in the formal drawing room, Chirodeep Chaudhuri’s photographs as well as Souza’s work in the lounge, a large canvas by Arun KS in the foyer, while a quintet of water colours by Aditi Singh add colour in the son’s suite and works by Shailesh BR and Atul Bhalla adorn the guest room—to name but a few.”

Despite its aesthetic, expansiveness and covetable accessories, what ties the home and the family together is its functionality. “This is a multigenerational residence, where the grandchildren, parents as well as grandparent can entertain without encroaching on anyone else’s space,” adds Saini. Indeed, to actualise this level of privacy, Saini ensured an organic conversation with the homeowners to understand how they function on an everyday basis.

The creative—along with associates Puneet Rathore and Yusuf Pardawalla, who collaborated on this project—covers all his bases. Asking how clients intend to use private and common areas of the residence to who puts the laundry away and everything in between leads to conceptualising a home that’s a perfect t for every occupant. It’s hard not to reference the sci-fi film again, which resonates with this project as “an epic drama of adventure and exploration”.

In the meeting room, a Biplab Sarkar series lines the wall above the sofa; Photographs by Fabien Charuau


A cluster of glass topped tables by Gallotti and Radice are paired with a Flexform sofa and a bespoke brass side table and lamp; Photographs by Fabien Charuau


Used to entertain close friends and family, this lounge is equipped with a black marble bar. Sliding wooden screens, embellished with photographs by Chirodeep Chaudhuri, conceal the shelving unit that holds bar essentials; Photographs by Fabien Charuau


A grey and white palette continues in the master bathroom. The vanities effectively conceal the shower; Photographs by Fabien Charuau


A collection of antique Chinese pots are seen on the bespoke, black glass dining table, which is paired with Chelsea chairs by Molteni&C. Onyx lines an entire wall in the room; Photographs by Fabien Charuau


Tufty-Time sofa by B&B Italia fills the son’s lounge, where a quintet of Aditi Singh watercolours contrasts with Ronan and Erwan Bouroullec’s Aim lamp for Flos; Photographs by Fabien Charuau


Madhavi Subramanian’s ceramic works are seen beside the ribbed glass partition of the gym; Photographs by Fabien Charuau


Natural light filters in from different angles in the vast foyer. Here, a 12th century Vishnu sculpture from central India is placed against a large painting by Arun KS; Photographs by Fabien Charuau


A copper clad gym on the upper level overlooks the pool. The checkered metal screens slide open, depending on the level of privacy desired; Photographs by Fabien Charuau


In the master boudoir, a Gino Sarfatti pendant lamp illuminates the textured timber panelled headboard; Photographs by Fabien Charuau


The checkered screens of the facade cast shadows on the timber panelling, while a painting by Abir Karmakar is mounted on the wall at the far end; Photographs by Fabien Charuau